Teskarn
Teskarn
Cultural journalism webinars since 2017

Cultural journalism that connects audiences with stories that matter

  • We teach journalists how to cover arts, heritage, and social movements with depth and accuracy
  • Our webinars bring working reporters together with editors, critics, and field experts
  • Participants learn practical techniques for interviewing, research, and narrative construction
Journalists collaborating during cultural reporting workshop
01

How does someone learn to write about culture?

Most reporters start covering culture without formal training in the field.

Challenge

Newsrooms expect reporters to understand complex artistic movements, interview difficult subjects, and explain cultural shifts to general audiences. Few journalism programs offer specialized courses in cultural reporting. Reporters often learn by making mistakes in public.

What we built

Teskarn started in 2017 when three culture editors realized their newsrooms kept hiring talented writers who lacked the tools to cover arts and heritage effectively. We designed webinars that focus on real reporting challenges: how to fact-check gallery claims, how to write about performance without clichés, how to cover cultural controversies without oversimplifying.

Our teaching structure

Each webinar follows a four-stage process that moves from observation to publication.

1

Context building

Participants review background materials and discuss the cultural landscape before the live session

2

Live instruction

Experts demonstrate reporting techniques using real case studies and answer questions in real time

3

Practice assignments

Reporters apply what they learned to a short reporting task and submit drafts for review

4

Feedback session

Instructors review submitted work and discuss common problems and successful approaches

Who teaches these sessions?

Our instructors are working journalists, not academics. They include culture editors at national publications, critics who cover specific art forms, and reporters who have built careers covering heritage and social movements. They share techniques they actually use in their own work.

We rotate instructors based on the topic. A webinar on covering visual arts might be led by a museum correspondent, while a session on music journalism might be taught by someone who has spent years interviewing performers and reviewing concerts.

Cultural journalism instructor leading interactive webinar session
Participants engaging in live cultural journalism discussion Participant experience

What happens during a webinar?

Sessions run for ninety minutes. The first half is instruction and demonstration. The instructor walks through a reporting scenario, explains their decision-making process, and shows examples of published work. The second half is discussion. Participants ask questions, share challenges from their own reporting, and work through problems together. Most webinars include a short exercise where everyone practices a specific technique in real time.

8 sessions

Average webinars per participant annually

34 countries

Journalists join from six continents